Some of the Amazons, like Kroes, auditioned, while the filmmakers
plucked others from the athletic world — Brooke Ence, an American
Crossfit champion, and Madeleine Vall Beijner, a Swedish professional
fighter, among them. “I got an e-mail asking if I could do fighting on
film,” Beijner recalls. “I said, ‘Well, yes, I can fight, and I think I
can fight in a movie. So yes, I’ll do it!’ ”
Months before the cameras started rolling, the women gathered in London
for weeks of training. Not only did they go through basic strength
training to look properly Amazonian, but they also spent hours each day
practicing swordplay, horseback riding and stunt choreography. “The
trainers said they wanted us to look like the female version of 300,”
Beijner says. For several of the athletes, many of whom compete in
individual sports, it was a refreshing change of pace to feel like part
of an all-female team. “It really is cool to see this whole training
area, and there’s not one male figure in sight,” Ence adds. “It’s just
women wrestling other women, kickboxing, doing pull-ups and practicing
with spears — just a lot of stuff that in the real world is very
male-dominated.”
[…]
Once they all donned their Amazon armor and took to the beach for the
big Themysciran battle scenes, Ence says she was surprised by how easy
it was to tap into her inner warrior, especially when surrounded by a
whole horde of fellow soldiers. “The first day we were on-set with all
of our swords and shields, it felt like a different type of power,” she
says. “And we looked awesome.” She wasn’t the only one who got swept up
by all the swords and stunts: Kroes recalls a day when her young son
visited her, and she greeted him in full battle regalia. “If I could
just have that face framed as a picture on my wall,” she says. “I think I
melted because he has never looked at me like that ever. He was just in
full admiration of his mommy as a warrior.”
I get to be part of the magic. I get to see a writer’s process, which is really special, especially having gone to Juilliard where a lot of the things we were doing were by playwrights who were deceased, so to have a live playwright in the room is such a treat. There’s no map for you to follow and take your journey. You are Lewis and Clark. You are the mapmaker.
Thomas Lamb’s current work is involved with landscape, its transformation through the seasons, and our engagement with this transformation. He creates images which deepen the viewer’s sensation of reality.
I am concerned with the visual and tactile elements of perception and want to make paintings which envelope and engage the viewer through the use of space, light and colour. Every picture begins with direct observation and is engaged with the process of depiction and the way in which this integrates perception, memory, and imagination
I FINALLY FOUND OUT WHY THIS HAPPENS. You see this all the time when there’s a fight or a scrum and suddenly everyone pairs up with a member of the opposite team and they just sort of …hold each other.
Someone on reddit asked about it. And it turns out there’s a logical-ish reason:
all of the other players pair off with their man to prevent anyone else entering into the fight … so it’s a form of self policing.
[…] The players basically want to prevent 2 on 1, etc. fights and by finding a “hugging” partner so there’s no ganging up on one guy, even on accident. They do it because it’s fair. And it’s kind of cute sometimes.
“I take no solace in the prospect of history listing me among the righteous few who denounced the captain of a ship that sank. We can and we must aspire to more than this. We must conspire to take the helm.”
– Jonathan Smucker, Hegemony How-Tp: A Roadmap for Radicals
I’m going to hang up this phone, and then I’m going to show these people what you don’t want them to see. I’m going to show them a world without you. A world without rules and controls, without borders or boundaries. A world where anything is possible. Where we go from there is a choice I leave to you.
