Photo

Friday, November 29th, 2019

Reposted from https://lies.tumblr.com/post/189366488843.

Friday, September 13th, 2019

Reposted from https://lies.tumblr.com/post/187687651926.

violentwavesofemotion: Mary Oliver reciting her poem “Wild…

Friday, January 18th, 2019

violentwavesofemotion:

Mary Oliver reciting her poem “Wild Geese,” published in Selected Poems

You only have to let the soft animal of your body
love what it loves

Reposted from http://lies.tumblr.com/post/182105987337.

reptilealiensmadeoflight:– Mary Oliver, “Invitation”

Tuesday, October 2nd, 2018

reptilealiensmadeoflight:

– Mary Oliver, “Invitation”

Reposted from http://lies.tumblr.com/post/178667578689.

lies: Lines Written in the Days of Growing Darkness Every year…

Monday, October 1st, 2018

lies:

Lines Written in the Days of Growing Darkness

Every year we have been
witness to it: how the
world descends
into a rich mash, in order that
it may resume.
And therefore
who would cry out

to the petals on the ground
to stay,
knowing, as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?
So let us go on

though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.

— Mary Oliver, from A Thousand Mornings

Photo by Kelly Gardner, Mississippi valley mayfly emergence, July 20, 2014.

Reposted from http://lies.tumblr.com/post/178651333364.

This WorldI would like to write a poem about the world that has in itnothing fancy.But it seems…

Thursday, September 27th, 2018

This World

I would like to write a poem about the world that has in it

nothing fancy.

But it seems impossible.

Whatever the subject, the morning sun

glimmers it.

The tulip feels the heat and flaps its petals open and becomes a star.

The ants bore into the peony bud and there is a dark

pinprick well of sweetness.

As for the stones on the beach, forget it.

Each one could be set in gold.

So I tried with my eyes shut, but of course the birds

were singing.

And the aspen trees were shaking the sweetest music

out of their leaves.

And that was followed by, guess what, a momentous and

beautiful silence

as comes to all of us, in little earfuls, if we’re not too

hurried to hear it.

As for spiders, how the dew hangs in their webs

even if they say nothing, or seem to say nothing.

So fancy is the world, who knows, maybe they sing.

So fancy is the world, who knows, maybe the stars sing too,

and the ants, and the peonies, and the warm stones,

so happy to be where they are, on the beach, instead of being

locked up in gold.

– Mary Oliver

Reposted from http://lies.tumblr.com/post/178535215940.

“You do not have to be good. You do not have to walk on your knees for a hundred miles through the…”

Friday, February 24th, 2017

“You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.”

Mary Oliver, “Wild Geese” (via icarus-suraki)

Reposted from http://ift.tt/2lEpUM1.

reptilealiensmadeoflight:– Mary Oliver, “Invitation”

Tuesday, February 21st, 2017

reptilealiensmadeoflight:

– Mary Oliver, “Invitation”

Reposted from http://ift.tt/2m8msHF.

I Didn’t Write This

Wednesday, August 19th, 2015

despairoftranslators:

So much loving Yulin Kuang’s “I Didn’t Write This” series of short films. It’s a gorgeously simple idea, that reel of cinematic art unfolding alongside and in conversation with a literary work, like a peek into someone else’s dreams. Or like your own dreams, when you fall asleep with a favorite book on your chest.

So: here are my poem suggestions. I’ve fallen in love with the work of Mary Oliver, whose work so often gives me the strange upside-down feeling of being recognized by someone I’ve never met. There’s a quiet, attentive beauty to her work that I think would blend well with Yulin’s warm, funny, careful director’s eye.

STARLINGS IN WINTER

Chunky and noisy,
but with stars in their black feathers,
they spring from the telephone wire
and instantly

they are acrobats
in the freezing wind.
And now, in the theater of air,
they swing over buildings,

dipping and rising;
they float like one stippled star
that opens,
becomes for a moment fragmented,

then closes again;
and you watch
and you try
but you simply can’t imagine

how they do it
with no articulated instruction, no pause,
only the silent confirmation
that they are this notable thing,

this wheel of many parts, that can rise and spin
over and over again,
full of gorgeous life.
Ah, world, what lessons you prepare for us,

even in the leafless winter,
even in the ashy city.
I am thinking now
of grief, and of getting past it;

I feel my boots
trying to leave the ground,
I feel my heart
pumping hard, I want

to think again of dangerous and noble things.
I want to be light and frolicsome.
I want to be improbable beautiful and afraid of nothing,
as though I had wings.

THE MESSENGER

My work is loving the world.
Here the sunflowers, there the hummingbird—
equal seekers of sweetness.
Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?
Am I no longer young, and still half-perfect? Let me
keep my mind on what matters,
which is my work,

which is mostly standing still and learning to be
astonished.
The phoebe, the delphinium.
The sheep in the pasture, and the pasture.
Which is mostly rejoicing, since all the ingredients are here,

which is gratitude, to be given a mind and a heart
and these body-clothes,
a mouth with which to give shouts of joy
to the moth and the wren, to the sleepy dug-up clam,
telling them all, over and over, how it is
that we live forever.

Reposted from http://ift.tt/1TUIA6k.

Mary Oliver

Thursday, May 28th, 2015

Mary Oliver

Reposted from http://ift.tt/1FFnEGo.

“Doesn’t everything die at last, and too soon?”

Friday, August 22nd, 2014

“Doesn’t everything die at last, and too soon?”

Mary Oliver, The Summer Day

Reposted from http://ift.tt/1tzHLi6.

Lines Written in the Days of Growing Darkness Every year we…

Sunday, July 27th, 2014

Lines Written in the Days of Growing Darkness

Every year we have been
witness to it: how the
world descends
into a rich mash, in order that
it may resume.
And therefore
who would cry out

to the petals on the ground
to stay,
knowing, as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?
So let us go on

though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.

— Mary Oliver, from A Thousand Mornings

Photo by Kelly Gardner, Mississippi valley mayfly emergence, July 20, 2014.

Reposted from http://ift.tt/1nM1yKq.

Poem of the One World This morning the beautiful white…

Thursday, July 17th, 2014

Poem of the One World

This morning
the beautiful white heron
was floating along above the water

and then into the sky of this
the one world
we all belong to

where everything
sooner or later
is a part of everything else

which thought made me feel
for a little while
quite beautiful myself.

— Mary Oliver, A Thousand Mornings: Poems

Image: Mike Baird, Great Egret (Ardea alba), Morro Strand State Beach, Morro Bay, CA 16may2007

Reposted from http://ift.tt/1ngPemE.

(From a comment on this.) My own response has evolved….

Monday, February 17th, 2014

(From a comment on this.)

My own response has evolved. There’s the initial shock of learning how actually bad things are going to be, and it’s only human to react strongly and emotionally to that, especially as a parent.

But it’s important to realize, too, that life will go on. Many people’s grandkids who would otherwise have lived will probably either die or never be born because of climate change; many others will have lives that will be deeply unpleasant. But people will still be here. We’re a weedy species. Like cockroaches and starlings, we won’t vanish. An almost unthinkable number of other species probably will, but humans — at least some humans — will remain. They’ll still fall in love, share special moments, tell stories, laugh… Your grandkids probably have as good a shot at that as anyone’s. So there’s that.

Also, after the Sixth Great Extinction has run its course, a few million years from now, there will be a new flowering of species radiating their way into the vacant niches. And through all that, the silverfish probably won’t even notice, except for there having been a brief and unexplained hiccup of warmth and moisture and starchy book bindings, now passed.

For me it comes down to a choice between despair and hope. Tolkien wrote that “by 1918 all but one of my close friends were dead.” It haunted him, and he spent his life crafting a story to dramatize what he thought about how a person should respond to seeing things like that. Look at Denethor’s actions after he looks in the Palantir, versus Aragorn’s. Or look at Frodo and Sam, and their responses to Galadriel’s Mirror.

That Guardian piece I linked to isn’t giving you Lovelock’s views directly; like the Mirror of Galadriel, The Guardian is dangerous as a guide of deeds. We need to know what’s coming in order to prepare ourselves and to counter those who would mislead. But we also need to appreciate that if things are going downhill the way they appear to be, we should recognize and honor what we have today. I think that’s the point Lovelock was trying to make in that interview, though I’m not sure his interviewer really understood.

If a version of me had lived in the 1840s, and I could go back in time and talk to him, what would I tell him? Would I show him pictures of the carnage of the Civil War? Or tell him uplifting stories about the beginning of the end of slavery? Talk about the bombing of Hiroshima? Or about the landings on the Moon? What would I want him to know about the future? And if he knew what was coming, how would I want him to respond?

I think I’d want him to go bird-watching. I’d want him to walk through a forest listening for the calls of Ivory-billed Woodpeckers. I’d want him to watch Carolina Parakeets at play, or stand beneath a flock of Passenger Pigeons so huge it blocked out the sun.

Everything dies. Individuals, societies, species: all of us are coming to an end. One day life itself will come to an end. It can be comforting to imagine otherwise, but that’s a fantasy.

Climate scientists and magazine writers (and programmers) aren’t necessarily the best people to advise you on how to process that knowledge. I think poets are a better source. So I re-read Tolkien. Also, thanks to despairoftranslators, I’ve been reading Owls and Other Fantasies by Mary Oliver. God, I love that book.

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

Reposted from http://ift.tt/1oIZQcN.