Mel’s Cinematic “Passion”

In a story referred to earlier by John, Mel Gibson’s upcoming film project on the last hours of Jesus Christ’s life on earth has started to receive some advance screenings, and a few more details are coming out about it. Any kind of play or movie that has a central focus on Christ has always been a lightening rod for scrutiny and criticism among the Jewish and Christian faiths. It’s apparent already from this story and this one that some serious trepidation is surfacing, especially within some Jewish and Catholic groups. As a Christian, I certainly hope that Mel Gibson is true to his word of a faithful and authentic-feeling presentation of, what I feel, is the most important event in mankind’s history (although the dialogue will be entirely in Aramaic and Latin, it now appears that a limited amount of subtitles will be included). It’s an impossible job to fully pull off however, since Mel is relying on some Gospels that sometimes differ with each other in the details of those final hours. So what do you include or leave out in a biblically accurate retelling of the Passion Story? Hence, part of the inevitable disapproval. There is also an indication that some non-biblical sources (the writings of several centuries-old nuns) may find some influence within the story. The more problematic issue will be the reaction of the Jewish religious leaders and the Defamation League at any connection of the Jews of that time being involved in Christ’s arrest and death. Now, I certainly would be dismayed if the film painted the Jews in some ugly stereotypes and/or suggested that they were either wholly and collectively responsible for the death of Jesus. But I don’t believe that will be Mel’s intent. However, the fact that a number of the Jewish population and leadership of that time were threatened and angered by Christ’s presence, and had a hand in shaping the events of those final hours (along with the Romans) is undeniable.

Does this make all those of Jewish heritage permanently stained by the actions of some predecessors? Of course not. But the hatred and persecution endured by Jews over time has made many of them understandably hyper-sensitive (to a fault) to their depiction in this part of world history (an example of such thinking and a more moderate voice). I hope that the likely predictible uproar that some in both the Jewish and Christian communities will create will not distract people ( both believers and non-believers) from viewing the film without pre-judging its validity, sincerity, and its faithfulness to the scriptures. From all I have now heard about it, the film seems to deserve that chance.

One Response to “Mel’s Cinematic “Passion””

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