Photo
Sunday, February 26th, 2017Reposted from http://ift.tt/2kZvGc1.
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I reblog this every time I see it. I just cant
THIS IS WHERE THE MEME CAME FROM
Seriously, though, the French LOVED Edgar Allan Poe,
thanks in particular to Jules Verne.He even wrote a sequel to Poe’s only novel,
and numerous essays about how great an author Poe was.By all accounts, Poe (who lived a penniless life in the US)
really *was* baffled by all of this.Please tell me the Creators of Poe Party have seen this and they’ve agreed to film a mini video with Jules Verne and Poe?
Please??
Will pay much monies for this to happen!
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Cloud Study: Stormy Sunset
John Constable
1821-1822National Gallery of Art – Washington DC (United States)
Painting
Height: 20.3 cm (7.99 in.), Width: 27.3 cm (10.75 in.)
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“One of my favorite things that I think we added and I think sort of speaks to who Juan is— is he’s on the block, and he’s asking Terence about his mother. And you might not have caught it, but he says she’s in my prayers between blow and smoke. And I think that speaks to that situation and that circumstance. It’s somebody who’s on the corner selling drugs, who is a general and this is his lieutenant, but he’s checking on the brother’s mom and just letting him know – I think the audience then knows that oh, wow, this man has a relationship with a higher power in some capacity. And we would never give that person that kind of credit as we drive past them on the street, very quickly, with our doors locked.“ —Mahershala Ali
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Conjunction by the Sea
Image Credit & Copyright: Mike Black
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spc eco – fuck you
Fuck you
You don’t fool me or anybody
Fuck off
You don’t fool me or anybody
Don’t need to feel
Like time is real
I let you down
You
Don’t need to feel
Your dying need
To make it better
Don’t need to make sense
Don’t need to get loud
No need to make a sound
Don’t need to hear
You made it clear
I’m getting tired
Don’t
Be fake to people
Living down and out
I see you in the highest places
Don’t
Need fame
or live
In vain
I boast
The deck of cards
Don’t need to make a scene
Don’t need to get loud
No need to make a sound
Fuck off
You don’t fool me or anybody
Fuck you
You don’t fool me or anybody
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“You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting –
over and over announcing your place
in the family of things.”
– Mary Oliver, “Wild Geese” (via icarus-suraki)
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sometimes you find more than you could have dreamed
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I’ve had teachers in uni who would ask you questions about your work in a way that didn’t encourage answering and made you feel like shit instead. My biggest concern when teaching is to not do that, not make the student feel attacked and mocked for their ‘ignorance’. You don’t write a thesis about your own art while you create it, you’re not prepared for meta. You most often feel it inside you and draw answers from that feeling. And sometimes you really need to be encouraged to not be satisfied with your own comfort, to ask yourself additional questions- this is where the mentor comes in.
What you can’t do is make the student feel like you’re trying to ‘gotcha!’ them with questions that you’ve pre-determined the answers to. If you ask, you’re supposed to want to hear out the answer, whether it comes instantly or after three days of reflection. All prejudices, bias and assumptions aside, you gotta be willing to listen to their thoughts after you challenge them to think.
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Coraline, Rose Berlin
I see you there
And I wonder how and why
I’m here I see her there
Always wanted
Always wanted someone who’d
Pay me attention
Oh well now I’ve got it
So why do I feel so alone?
We are small but we are many
We are many we are small
We were here before you rose
And we will be here when you fall
Inside her eyes
There’s nothing
But a face
No complexion and no life
Even though I can’t see
What she’s thinking
I can tell
Somehow I see her there
We have teeth and we have tails
We have tails and we have eyes
We were here before you fell
And we will be here when you rise
Other mother
See me cry
Have pity
All I want is to be at home
There’s nothing
There
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Reliance, circa 1903
Detroit Publishing Company Photograph Collection
Library of Congress Prints and Photographs Division
LC-D4-21723
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January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by Ed Gordeev
January Morning – St. Petersburg by
Ed Gordeev
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That’s the scene, for me, that was the most romantic, just because of it’s simplicity. There are very, very few dialogue lines. It’s all about just their physical presence, and him seeing her, and needing to take her home. I mean, it still makes me tingle.
– Richard Armitage
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And now, for something completely different…
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