Male Gaze, composition choices, and Mad Max’s ‘locker room’ eye

bonehandledknife:

So there was this one reblog on that post where I discussed Center framing, Composition, and Male Gaze with this comment:

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The comment continues in typical mansplaining manner but I want to address this first bit specifically. Because the assumption that the women are framed that way because it’s an action shot is wrong from a technical standpoint.

There is a difference between Wanda gesturing with her hands almost having no space for her head in a composition that highlighted her breasts …

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…and the way Tony is given ‘headroom’ while gesturing with his hands (see: any Iron Man Trailer). He still has his face prominent at the sweet spot of the Golden Ratio (for more discussion on what/where this is scroll down to the diagrams), his hands are on the other sweet spot, and it’s a very dynamic pose with great use of diagonals both foreground and background.

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There is also a difference between Natasha almost having to bend her head so that her face stays on the screen while her chest and hips land in the sweet spots…

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And the headspace that is given Thor. Thor’s face lands on upper Third (Rule of Thirds). They are both holding/threatening with weapons. 

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But wait! you say, what if we want to emphasize the weapons?

Yeah there’s a way to do that too, without sexualizing your character and smashing their head almost off the frame…

Keep reading

Reposted from http://ift.tt/1Fi64Vi.

Tags: but still, this, fury road, meta, male gaze, in which I sigh at mcu movies for reasons I already understood emotionally, but now understand intellectually, it brings home to me that my first viewing of fury road, when I walked out thinking huh, that was cool, and so _different_, that I had to go back and watch it a bunch more times to understand just how it was different, this is how it was different, among other ways, in ways that lined up thematically, and reinforced each other.

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